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Our Consulting Services
One way to fundamentally
improve your script is by hiring a script consultant. The Script Writers
Haven provides writers with A-level coverage services and the potential
to have their work distributed to various industry professionals.
In analyzing screenplays, we often use dramaturgy, mythology and
psychology to assist writers in improving their scripts. Our approach is
tailored to your learning style and material.
The Script Writers Haven views coverage as a limited tool. It’s a litmus
test -good or bad. What Script Writers Haven does is dig into your
script, pull its heart out and discuss it with you. And together we
figure out how to fix its problems. Many of our professional script
consultants have backgrounds as development executives, writers, and
editors. This background experience allows us to approach your script
from many different angles.
Upon completion of thorough coverage services -and if we feel that you
are ready for multimedia global representation within the film and
television arenas- the Script Writers Haven will submit Members material
to industry professionals that we have affiliations with (ABC
Entertainment, HBO Films, Lions Gate Entertainment, Miramax, New Line,
Paramount, Regency Television, Sobini Films, The Mark Gordon Company,
Touchstone Television, CW, Warner Brothers). There is no charge for
this service. It is our vision that all of the Script Writers Haven
members have the opportunity for success in this industry.
The Script Writers Haven understands how difficult it may be for a
writer to choose a script consultant. Our consultants know how to help
you fix your script.
As dramaturges, we will ask these types of questions about your climax
scene:
-
Does it
contain the purest form of the one dilemma your main character
has been struggling with?
-
Does it
succinctly express the theme?
-
Is there
an adequate setup earlier in the movie—with taglines, dialogue,
subplots, foreshadowing—which will clarify the thematic intention
of the climax?
-
Does the
resolution waste any time and is it consistent with your
thematic intent?
-
Does the end
of the second act unify the character’s need and goal into the
climax’s one concise action?
-
Is it
clear that the main character could not have made the
climactic choice at an earlier point in the movie?
As
consultants, we know directors
and producers will ask these types of questions:
-
Is there
enough in this scene to get a good actor to want to play it?
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Is there
enough in this scene to get a star out of his trailer?
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If an actor
asks me “what am I fighting for” in this scene, do I have an
answer?
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Is the level
of conflict in this scene any different from the last scene?
-
I won’t shoot
a scene which only contains exposition, so is there enough
conflict to bother with this scene?
-
Is a
character saying what he means? Will this dialogue
play?
-
Is there
plenty for my DP, Locations people and Set Designer to do?
As an editor
we will ask the following questions:
-
Does the
scene end differently from where it starts?
-
Given that
different parts of the film require distinct pacing, does each
scene begin at the last possible point such that it still works?
-
Did you end
the scene at the earliest possible opportunity?
-
Can you
create suspense or mystery by simply excising—or adding—one key
piece of information in a scene?
-
Did you miss
the opportunity for a meaningful transition?
-
Would we miss
anything if I cut out all those lines of exposition?
-
Can I lose
that subplot? Or what does that subplot need to be
indispensable?
Although we may never ask you one of these questions explicitly, we will
address all of them and thousands more. When we find an ongoing
answer to one of these questions, we will give you ways to fix it. We
discuss your intentions, how they may have been unsuccessful, how to achieve
them,
and/or how to amend them. You will know what the problem is and we will
offer examples of how to solve it.
If your script needs work and you want a highly trained professional to
help you improve it, you can afford a script consultant for about the
amount a lawyer would charge you to submit your script to a couple of
production
companies.
Description of
Services
Script Consulting
Our comprehensive analysis of your script will provide you with enough
feedback for you to rewrite your script. You will receive thorough notes on
structure, character, story, pace, subplots, theme, dialogue,
marketability and even your prose. If the writing is awkward, we will
edit a page or two to suggest a more efficient and readable prose style.
There will be several notes on individual pages. Our analysis is
designed to give you a detailed vision of what the script needs on the
next rewrite. We will offer solutions for most problems that we point
out. The comprehensive analysis will simply point out the areas where
production companies or studios might find fault in your script. This is
your litmus test. The comprehensive analysis usually includes up to
10
pages of notes, questions and suggestions.
Treatment Analysis
We will analyze your treatment (double-spaced, no more than ten pages) for a
feature length screenplay and/or teleplay. This service usually includes up to
5 pages
of notes, questions and suggestions.
*For screenplays that are
in excess of 120 pages in length, add $3 per page.
Multiple submissions are accepted.
|
Consulting Service |
Turnaround Time |
|
Full-Length Feature |
7 Days |
|
Short-Length Feature |
7 Days |
|
One-Hour Teleplay |
5 Days |
|
Half-Hour Teleplay |
5 Days |
|
Writing Treatment |
2 Days |
All clients will be
notified via email once consulting services have been completed.
Please note the turnaround time for all consulting services.
Complete analysis of all services will be forwarded via email.
Submission Policies
NOTE: Due to the amount of screenplays received on a daily
basis, this service is only offered electronically due
to the amount of paper that is involved.
Consulting Services
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